My work is entangled with my memory: What I choose to remember. How I remember. How my memories change over time. How I shape my memories to remember not necessarily the truth, but the truth as I want to remember it. How I display, document, and share my memories. How others interpret my memories. How I shape my future based upon my memories.
So far, my investigations have focused on the documentation of my memories and their related associations with abstract imagery and scattered remains: Retellings of daily occurrences through my vices (Stained Grounds). Studies and documentation of change over a specified period of time (Delta T). Reinterpreting objects as vessels of memories based upon their prior contents (relics). Revising archives of lost imagery for reinterpretation three years later (Looking Out).