Camera & Lighting:
Film - Narrative
| 2011 | ||||
|
Fractured Legacy |
gaffer |
Loquasto Visuals |
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|
The Funeral |
director of photography |
EraseMyHead Films |
||
|
Liberty Road |
director of photography |
Above The Fray Prod. |
||
|
Neighbor Lee |
gaffer (day player) |
Banu Debre |
||
|
|
Kiss Me, Charlie |
additional cinematographer |
Robin Pohlman |
|
| 2010 | ||||
|
Man With A (Bolex) Movie Camera |
director of photography |
[Media Offline] |
||
|
Catching Up |
director of photography & associate producer |
Nine Hour Films |
||
|
First Day Home |
best boy electric |
Drew Louis |
||
|
The Good Listener |
1st AC |
Blair Productions |
||
|
Boxes |
director of photography |
Michael Hyde |
||
| 2009 | ||||
|
Who Is Chelsey Hood |
1st AC |
Astray Productions |
||
|
DASH |
director of photography |
[Media Offline] |
||
|
|
||||
TV & Film - Documentary
| 2011 | |||
|
(Untitled Saint Elizabeth’s Project) |
director of photography |
Lateral Line, Larry Engel & PlasticFoliage |
|
| 2010 | |||
|
The Loudest Show on Earth (London, UK and Salvador, Brazil) |
director of photography & producer |
[Media Offline] |
|
| 2009 | |||
|
Fueled By Nature (Galapagos Islands, Ecuador) |
director of photography & producer |
PlasticFOliage |
Commercial & Corporate Work
| 2011 | |||
|
Snyder’s of Hanover |
1st AC & Operator |
Filmhead |
|
|
PriceWaterhouseCooper & IMF |
gaffer & utility |
Lateral Line |
|
|
AOL |
cinematographer & location producer |
Lateral Line |
|
|
National Presbytarian School |
Cinematographer |
Olivia Foster |
|
| 2010 | |||
|
The New Yorker |
2nd camera & utility |
Myles Kane |
|
|
Saint Elizabeth’s Hospital |
director of photography |
Lateral Line, Larry Engel & PlasticFoliage |
|
| 2009 | |||
|
Hillwood Museum |
director of photography & co-producer |
Blue Bear Films |
Sound
Corporate/Commercial Clients
| 2011 | |||
|
MedAssurant |
Location Audio Mixer |
Forced Detour |
|
|
IMF & PriceWaterhouseCooper |
Audio Utility |
Lateral Line |
|
|
MIT & Smithsonian Institution |
Location Audio Mixer & Travel Utility |
Patrick Telepictures |
|
| 2010 | |||
|
Nat’l Museum of African American History |
Location Audio Mixer |
Patrick Telepictures |
|
|
The Nature Conservancy |
Location Audio Mixer |
Patrick Telepictures |
|
|
US Coast Guard |
Location Audio Mixer & Travel Utility |
Patrick Telepictures |
|
|
Defense Logistics Agency |
Location Audio Mixer & Travel Utility |
Patrick Telepictures |
|
|
SAIC |
Location Audio Mixer & Travel Utility |
Forced Detour |
|
|
Center for Civic Education |
Location Audio Mixer |
Forced Detour |
|
|
National Science Foundation |
Location Audio Mixer & Recordist |
Forced Detour |
TV & Film - Documentary
| 2011 | |||||
|
Religion & Ethics (PBS/WNET) |
Location Audio Mixer |
Patrick Telepictures |
|||
| 2010 | |||||
|
The New Yorker |
Audio Utility (& 2nd Camera) |
||||
|
The Loudest Show on Earth |
Audio Recording Consultant, Equipment Tech & Timecode Guru |
Media Offline |
|||
TV & Film - Narrative
| 2010 | |||||
|
Stage Fright |
Audio Recordist & Consultant |
American University & Claudia Myers |
|||
| 2009 | |||||
|
Lee |
Audio Recordist |
C. Jai Jamison |
|||
|
Below The Beltway |
Boom Operator & Add’l Recordist |
21st Street Films |
|||
Camera Experience
RED One, Panasonic HDX900/HPX500, Panasonic HVX200/HPX170, Panasonic DVX100, Panasonic AF100, Sony EX-1/3, Sony F350, Sony F3, Aaton LTR54/XTRProd, Arri 16SR3a/16SR, Bolex H16, Canon 7d/1Dmk4
Additional Related Skills
DIT/Data Manager, Colorist, Post-Production Workflow Consulting, SMTPE Timecode Syncing & Programming, Accomplished Editorial Photographer/Photojournalist, Adjunct Professor of Film & Media Arts (Film Production, American University)